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Tom Sandborn Published Nov 03, 2023 This remarkable little book contains far more than disaster reportage, although the vividly rendered sensory detail that laces through each poem does make for powerful reporting. In 2021 in B.C., climate change opened the gates of hell. On June 30, 2021, the town of Lytton burnt to the ground. The spectacular catastrophe came at the end of a climate-change-driven “heat dome” event that ran from June 25 to July 1 that year, killing 619 in the province. The day before the fire, Lytton suffered the highest temperature ever reported in Canada, 49.6 C. The local poet and art café owner Meghan Fandrich was there when it happened, and her debut book, Burning Sage: Poems from the Lytton Fire, records her fierce, anguished testimony from the scene of the crime. Read the rest of this review

by Jake Perez, Editor at LinkedIn News "Five Nights at Freddy's" scored a terrifyingly solid start at North American cinemas, raking in an estimated $80 million in its first weekend — a new Halloween weekend record and the biggest horror debut so far this year. But what makes "Freddy's" launch even more impressive is that the movie premiered simultaneously on Peacock, and it apparently delivered there, too: Universal, the studio that distributed "Freddy's," says it had the biggest opening for the streamer, and it has been Peacock's biggest subscription driver since its release on the platform Thursday night. "Freddy's" notched the third-biggest horror movie debut, behind 2017's "It" ($123.4M) and "It Chapter Two" ($91M). It's also the second-biggest opening for a video-game movie, behind "The Super Mario Bros. Movie" ($146.3M), and just ahead of "Sonic the Hedgehog 2" ($72M).

Story by Dina Kaur, Arizona Republic The Day of the Dead — Dia de los Muertos — is celebrated every Nov. 1 and 2 as a way to honor and remember friends and family members who have passed on. The observance is typically happy, with vibrant colors, as people appreciate their loved ones and acknowledge death as a part of life. Noemi Ayala-Antonsen, who owns A Sweet Party — a party and decorating service based in Avondale — has been painting faces and decorating balloons as part of her business since 2003. Born in Mexico City and raised in Guadalajara, Ayala-Antonsen grew up celebrating Day of the Dead with dishes her grandma cooked, like pan de muerto and tamales. The family always set up an ofrenda, or altar, honoring their ancestors. Ayala-Antonsen has painted thousands of faces for Day of the Dead. She offers these tips on how you to paint your face at home. Watch the video and learn more

Originally published by Corinne Furniss on October 31, 2018 Aksel Waldermar Johannessen - The Night Aksel Waldemar Johannessen was a Norwegian humanist painter who focused on working class and unfortunate subjects. He is considered Norways ‘forgotten artist’ because he only gained recognition after his death. Johannessen trained in sculpture and painting and was able to make a living first as a furniture maker and then as a painter. He suffered as an alcoholic for many years and often painted himself into his work in an autobiographical attempt. “Thematic, the images are very ambitious ranging from the grotesque to the idyllic; from depictions of sexuality, violence, prostitution, alcoholism and war to idyllic and intimate work.” In this painting, his wife posed to become ghost-like figure standing in the park at night. The use of colour (dark background colours contrast with the bright blues and yellows of the figure) make this painting seem very spooky and creepy. Henry Fuseli - The Nightmare Henry Fuseli was born and grew up in Switzerland until he was forced to flee from a vengeful corrupt family; he explored Germany before ending up in England where he spent most of the rest of his life. Fuseli’s father, Johann Caspar Füssli, was a portrait and landscape painter. Having received a classical education in Zurich, Fuseli later paid his way by writing before Sir Joshua Reynolds advised him to pursue art. He was both Professor of Painting and Keeper at the Royal Academy of Arts in London. Fuseli is famous for his supernatural imagination; although he paints in a style consistent with Romanticism, his paintings are inspired by the paranormal. He was a master of light and shadow which he utilised to emphasise the drama in his paintings. The Nightmare portrays a “dreaming woman and the content of her nightmare.” This painting is often described as “a nightmare that causes nightmares”; it is a horrible representation of some of humanity’s deepest fears. Fuseli’s powerful use of light and shadow in this painting makes it very emotive to view; I can imagine myself in the place of the sleeping woman and feel genuine fear. This painting portrays a fear as old as humanity – the fear of not being safe while sleeping. Katsushika Hokusai - The Ghost of Kohada Koheiji Hokusai was a Japanese artist from the Edo period; his most famous artwork is The Great Wave off Kanagawa, a piece which I’m sure everyone has seen at some point in their lives. Hokusai began painting at a very early age, practicing the skills his father had as a mirror-maker for the Shōgun. During his teenage years, he was an apprentice learning wood carving, print making and painting. Throughout his career, he distinguished different artistic styles by changing his name for each one. This painting depicts a scene from a Japanese legend where a murdered actor haunts his wife and her lover. The figure is quite gruesome in is design; the skull still has some hair and skin attached. The painting is very eerie as the zombie actor peers through the mosquito net at his wife. Francisco Goya - Saturn Devouring His Son Goya is considered simultaneously as the last of the old masters and the first of the modern masters; during his lifetime he enjoyed great success as a Spanish Romantic painter and printmaker. He trained under José Luzán y Martinez and Anton Raphael Mengs, later securing a position with the Spanish Crown as a court painter. Following a severe illness which left him deaf in 1793 his work became darker and bleaker. This painting depicts a scene from a Romanised Greek myth in which Saturn eats his children to avoid a prophecy that one of them will overthrow him. Goya painted this piece, along with thirteen others known as the “Black paintings”, with oil paints directly onto the walls of his home near Madrid. While he never intended these paintings to be seen by anyone, the painting of Saturn is particularly disturbing. Francisco Goya - The Dog Another of Goya’s ‘Black paintings’ is this one of a drowning dog. This stark and empty painting holds so much emotion; the scared dog is trapped between two oblivions of empty space. This sad and lonely painting depicts a dog that seems to be sinking instead of swimming and is at any moment about to be caught by a huge wave. The fear portrayed in his painting is one of helplessness – perhaps reminiscent of Goya’s own struggle with deafness and old age. Francis Bacon - Study After Velázquez’s Portrait of Innocent X Francis Bacon was an Irish-British painter renowned for his raw style of painting and his typically religious subject matter. Bacon was a late-comer to painting; he drifted through most of his life as an interior decorator, bon vivant and gambler. His artwork was often focussed on a single subject for extended periods of time. After the suicide of his lover, his artwork become “more sombre, inward-looking and preoccupied with the passage of time and death.” Throughout his career, Bacon returned to Velázquez’s Portrait of Innocent X, painting and repainting his own interpretations of the original. This study of the original is often viewed as Bacon’s “best pope.” His powerful use of a purple colour palette and lines turns Pope Innocent X into a horrific image shrieking almost ghost-like as he fades into the background. Henryk Weyssenhoff - Premonition Henryk Weyssenhoff was a “Polish-Belarusian landscape painter, illustrator and sculptor.” He was a descendant of the Livonian nobility but grew up in the Ural Mountains from the age of four after his father was exiled to Siberia. His first art lessons were from Lucjan Kraszewski. He graduated from the Imperial Academy of Arts in Saint Petersburg in 1885 with a silver medal and the official title of “Artist.” This painting is very ethereal; the purple colour palette and whispy brushstrokes work well together to establish spooky scene. The fog and smoke in the painting coupled with the eerie ghost-like figure in the centre and scared howling dogs make this artwork incredibly powerful. Looking at it, you can imagine the atmosphere and fear really existing. Shawn Coss - Generalized Anxiety Disorder While he has a background in emergency nursing, Shawn Coss is an incredible artist from Ohio who specialises in dark art. He is most popular for is work on the webcomic series Cyanide & Happiness. In 2016, he used the popular challenge Inktober to create a series of drawings which portray mental illness, Inktober Illness. The drawings all resemble alien humanoids (Doctor Who’s The Silence, anyone?) that embody the symptoms of each mental illness they are depicting. While these characters are definitely a bit creepy, the scary thing about them is how real they are in their portrayals. As someone who suffers from mental illness, being able to see my usually invisible illness validates my experiences and lets me know that I am not alone. William Blake - The Ghost of a Flea William Blake is most famously remembered for his poems however he also made a considerable amount of paintings. Blake’s paintings have philosophical and supernatural elements while still being in the style of Romanticism. This painting was inspired by a “spiritual vision” that Blake had; fleas contain the souls of men who were greedy and bloodthirsty. Blake’s representation of the flea as a humanised character could be suggesting the idea that humans possess horrible qualities or that humans and animals are no different. By painting this piece with dark and muted earth tones, Blake manages to make the flea appear incredibly creepy. This character is the stuff of nightmares, creeping through the darkness to its victims. William Blake - The Great Red Dragon and the Beast from the Sea Another spooky painting by Blake is this one of The Great Red Dragon and The Beast From The Sea. Blake takes his inspiration for this piece from the Bible’s Book of Revelations. This terrifying painting depicts a representation of the devil standing over a seven-headed sea beast. The dark and muted palette add to the horror and drama of this painting. I would not want to meet either of those creatures on a dark night! Emil Nolde - Mask Still Life III Emil Nolde was a German-Danish artist who practised expressionism. He was one of the first artists to begin experimenting with colour in oil and watercolour, and is now known for his frequent use of yellows and reds along with his expressive brushwork. While he worked in creative industries throughout his early adulthood, he only began to pursue becoming an artist in his thirties. This painting is a study of masks in the Berlin Museum; the brilliant colours and bold brushwork becomes a macabre and almost surreal painting. Edvard Munch - The Scream This artist is one of Norway’s most famous; Edvard Munch was a painter and printmaker who was inspired by psychological themes and expressionism. He was raised by his aunt and deeply religious father: "My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born." Munch suffered poor health throughout his childhood and began painting to ease his boredom as he was kept home from school. His imagination was overwhelmed by macabre visions inspired by ghost stories and religious dogma. He later attended the Royal School of Art and Design in Kristiania (Oslo). The Scream was inspired by a feeling he had as he was walking home one night while the sun set that nature was screaming. The blood red sky certainly heightens the horrible intensity of this painting as the figure “screams” with anxiety. Salvator Rosa - The Temptation of St Anthony Rosa was an Italian Baroque artist known for being a bit of a rebel. He studied art with relatives until his father’s death when he had to take over the care and financial support of his family. Following the advice of Giovanni Lanfranco, Rosa moved to work in Rome. When he returned to Naples he started exploring spooky landscapes in his artwork, painting romantic picturesque pieces. While he painted in a very classical style, the subjects he chose were often far more imaginative than was usual for his time. This painting depicts a scene from St Anthony of Athanasius’ biography where he was attacked by demons in the Egyptian desert. Rosa’s portrayal of the demons is particularly horrifying and terrifying. Hans Memling - Hell Hans Memling was a German painter working in the style of the Early Flemish painters. Memling was very successful during his lifetime; he became one of Bruges leading painters of religious portraits and diptychs. This painting depicts Memling’s interpretation of Hell and was intended to scare piety into members of the church. This terrifying painting shows a monstrous amalgamation of “man, woman, dragon, devil, bird and dog” dancing on top of its burning victims. The distinctly red colour palette lends itself to the religious imagery of hell as a place of eternal fire. This creepy painting must have certainly achieved its purpose – I definitely find the grotesque image spooky. Andy Warhol - Big Electric Chair Andy Warhol was an incredibly successful American Pop artist. He is often considered one of the most notable people of the 1960s; his work focussed on exploring the “relationship between artistic expression, celebrity culture and advertising.” This eerie painting depicts an electric chair alone in the middle of a desolate room. A sign on the wall read ‘silence’ as though a promise for those who await the chair. This terribly disturbing artwork is an ode to the cruelty of humanity. “Everything I do is connected with death.” Théodore Géricault - Heads, Severed This horrific painting comes from the work of French artist, Théodore Géricault. He was educated by Carl Vernet and Pierre-Narcisse Guérin in English sporting art and classical composition, respectively. While he was very talented, he was bored of Neoclassicism and instead painted in the Romantic style. What makes this particular painting so gruesome is the fact that the heads were found by Géricault in Paris Morgue. Obviously unafraid to study emotional and morbid subjects, he has tragically posed these heads as though they were simply sleeping. I think it is part of the human condition to be at once terrified and fascinated with death. Salvador Dalí - The Face of War Salvador Dalí is one of the most famous surrealist artists the world has known. The Spanish artist practiced in a range of mediums including painting, sculpture, film and jewellery. His imaginative and eccentric style lends itself to his surrealist work. This painting was created while Dalí lived in California inspired by the trauma of war. The infinity implied by the repeating faces inside the eyes and mouth seems to suggest a feeling of being haunted by the memory of people lost in the war that is never ending. In addition the portrait is painted against a stark and desolate background which could hint at the feelings of isolation associated with depression. Almost definitely representing Post Traumatic Stress Disorder, this painting is haunting and emotional; the overall feeling is of being consumed by the mental illness left from the war. Dalí himself believed his work to be premonitions of the war to come. Giovanni Boldini - Spanish Dancer at the Moulin Rouge This Italian artist was known as the “Master of Swish” because of his loose flowing painting style. Boldini studied at the Academy of Fine Arts in Florence and while in Florence he met the Macchiaioli painters who had a profound influence on him. Most famous for his portrait paintings, Boldini also painted a range of other subjects such as landscapes. This incredibly expressive painting of a Spanish dancer at the Moulin Rouge perfectly captures the movement of dance. What makes this painting spooky is the fact that there are too many hands – there seems to be a ghost haunting the dancer. Zdzisław Beksiński - Untitled Zdzisław Beksiński was a Polish artist focussing on surreal dystopian art. His style is usually described as Baroque or Gothic with expressionistic elements. Beksiński trained in architecture but found that he didn’t enjoy it so he started exploring sculpture, photography and painting. His paintings often portray feelings of anxiety especially in his later more spooky artworks. This untitled ominous painting depicts two skeletons wrapped in each others’ embrace. Painted with dark earthy-red tones this powerful piece conveys a sense of the struggle between the struggle for life and the inevitability of death. I think this piece is particularly emotive because it plays into such a deep human fears. Vincent van Gogh - Head of a Skeleton with a Burning Cigarette And to end this post on a slightly more light-hearted note: this painting by Vincent van Gogh. He is arguably one of the most famous artists ever. The Dutch Post-Impressionist painter painted everything from landscapes to still life’s and portraits; he amassed over two-thousand paintings, most in the final years of his life. Van Gogh suffered from multiple mental illnesses, including depression, psychotic episodes and delusions, which saw him in and out of psychiatric hospitals. Van Gogh painted this piece while he studied at the art academy in Antwerp where anatomical drawings were a regular exercise. Instead of taking this exercise very seriously, van Gogh painted his skeleton with a lit cigarette in its teeth. I will always appreciate this slightly rebellious humour. For more spooky art see here, here, here, here or here. I hope you all have a fantastic Halloween!

With October come and nearly gone, the autumnal beauty overtaking Cape Cod is hard to deny. The leaves are shades of yellow, orange and red. The air is beginning to get a slight bitter chill and preparations for winter are starting. In our October poems, we relish in the beauty of the "bared and bended arm of Massachusetts," as Henry David Thoreau said, appreciating the natural wonders this stretch of land has to offer. Captured in the poems below is a true testament to what makes Cape Cod so wonderful. If you ever find yourself penning a line or two or if writing poetry is an act you hold dear, consider submitting your work to our poetry contest. Each month, a panel of professional poets judges our Cape Cod Poetry contest, and a few winners get to see their work published in the paper. How to enter the Cape Cod Times Poetry Contest Cape Cod Times monthly poetry contest needs your poems to stay vital. We thank our volunteer judges and coordinator. Here’s how to send us your work: Submit one poem single-spaced, of 35 lines or fewer per month. Poems cannot be previously published (in print or online). Deadline for the next submission is Nov. 1, 2023. Submit by email to cctpoetry12@gmail.com.. Poems should be free of hate speech and expletives (profanity, vulgarity, obscenity). In the body of the e-mail, send your contact information: name, address, phone number and title of poem; then, in a Word Doc attachment, include poem without your name or any other personal info, so that the poem can be judged anonymously.

Last Call to Apply for the IMCC2023 Emerging Museum Professional Scholarship! 🏛️ Early this month IMCC announced this scholarship to aspiring museum professionals based in Antwerp with 3-5 years of experience in the field. This scholarship is your chance to elevate your influence in the museum world! Here's everything you need to know: ⠀ 🔹 What: The IMCC Antwerp 2023 Emerging Museum Professional Scholarship ⠀ 🔹 Why: We believe in your potential and want to empower you on your journey to becoming a museum leader.⠀ 🔹 How: Simply submit your application ASAP, and you could be one of the lucky recipients! ⠀ By participating in #IMCC2023 in Antwerp, you'll have the exclusive opportunity to network with industry trailblazers, gain invaluable insights, and forge the path to a rewarding and impactful career in the museum industry. 🌐⠀ ⠀ Ready to shape the future of museum leadership? Apply now! #ShareThisPost to help us spread the word. 👉🏽👉🏼👉🏻 https://bit.ly/3P9wzKD

Louise Glück, the American poet and Nobel laureate who died last week, was repeatedly drawn to stories about families. Her last published book was a short novel about twins in their first year, Marigold and Rose. And children appear throughout her 1975 book, The House on Marshland, in which she developed her instantly recognizable intimate voice. By placing children and mothers, in particular, at the center of her poems, Glück explored a world made of equal parts myth and reality, sketched out by her precise, timeless language. When I learned that Glück had died, I found myself drawn first to “The School Children,” which begins with a trip to school: The children go forward with their little satchels And then switches to the home: And all morning the mothers have labored To gather the late apples, red and gold, Like words of another language. Glück places us in a familiar setting—almost like a picture book—but the somewhat formal language of the poem (“set forth,” “have labored/to gather”) introduces a degree of unease, as if we’re reading a translation. The poem next introduces the teachers, and through them acquires mythical dimensions, and the teachers become almost like gods: They’re waiting “on the other shore” “behind great desks” “to receive these offerings.” The reader cannot help but worry a little about the trip the children are taking and whether they’ll be able to cross over. Suddenly, it seems like a long way to get there. Read the entire article

Thirty-seven years ago, Tim Christie pulled over in Glacier National Park to make a sandwich. The nature photographer from Coeur d’Alene went to Glacier with hopes of photographing mountain goats. Cloud cover spoiled that plan. Instead, he drove around a bit, looking for something else. As he was making his sandwich, he saw two deer, a big buck and a doe, walking across the road. He took some pictures as they crossed, then followed them into the woods, not even taking the time to change from his running shoes into his hunting boots. He took a lot of photos. One wound up becoming a magazine cover. But as he got toward the end of his last roll of film, he heard something bust through the brush behind him. The deer spooked, and he started walking back to his truck. Then he saw a brown blur through an opening in the trees. “I don’t know how I knew, but I did. Grizzly cub,” Christie writes in his new book, “Stories Painted With Light.” Read more of this article and finish the story

"Crisp Fall Air" was displayed today in Opal Writers Magazine. https://opalpublishing.ca/2023/10/11/crisp-fall-air/ Enjoy the "Crisp Fall Air" everyone!

In the dozens of lists circulating the internet that predict which jobs artificial intelligence will replace, graphic designers are often named. Adobe’s newest AI features could move that forecast along, but the company’s leadership has another idea about the future of creative jobs. While developments in image generation are sure to make graphic design more accessible, they don't diminish the work of artists, according to Ashley Still, Adobe’s senior vice president of digital media. “Two things can be true,” she tells Fortune. “Technological innovations can both bring more people into the medium and increase the need for professionals. “Think about the invention of the camera,” Still says. “People thought painting was going to go away, and it didn’t. It’s just that a new type of content emerged.” Taking it a step further, the invention of the digital camera meant more people could take photos, but it didn’t replace the need for professional photographers, Still says. Read the rest of this article

A new TikTok trend is offering an artful approach to Halloween decor. Made popular by content creators like adairbosserman and bekmarsden, the craft project encourages TikTok users to refurbish thrifted paintings by adding in ghosts, bats, and other markings of the spooky holiday. Though there are no set rules for the trend, the majority of artwork under #GhostPaintings features human and animal figures transformed into ghosts in white sheets. Any other supernatural details appeared to be spontaneous additions conceptualized by each painter. Read more at https://www.popsugar.com/home/tiktok-thrifted-halloween-painting-trend-49287410

As one of the largest cities in the Midwest, Minneapolis has a lot going for it, from job opportunities to great public transportation, and many city-like amenities. Additionally, the city shines for the art world, as it is a great place for artists to create and bring their creativity forth to the public. As such, Minneapolis has plenty of art venues where locals can peruse artworks hailing from the city and the state. To find out where you are most likely to catch a glimpse of the local art world, we’ve put together a list of some of the best museums and art institutions in Minneapolis: 1. Minneapolis Institute of Art The Minneapolis Institute of Art aims to be an inspirational institution using the power of art for this purpose. It’s doing that by collecting, preserving and making artwork from all over the world accessible to the local community. They try to preserve, document, and exhibit works of art responsibly while ensuring they stay in good condition. The museum’s artwork acquisition process takes into account the values and interests of the local community all the while following the legal guidelines of the Association of Art Museum Directors (AAMD), the American Alliance of Museums, the United Nations Educational, Scientific and Cultural Organization (UNESCO) and the U.S. government. 2. Walker Art Center One of the most visited contemporary museums in the country, the Walker Art Center is famous for its collections of modern art whether visual-, performing- or media-related. It has a history of over a century of existence, founded by the lumber baron Thomas Barlow Walker. It is located at the edge of downtown Minneapolis, at the junction of the city’s vibrant city core and its historic neighborhoods. Walker’s programs intersect visual arts, performing arts and moving images, interpreted through various mediums and materials. As they embrace and explore interdisciplinarity across the theater stage, cinema, and the public spaces provided by their building and the campus. 3. Weisman Art Museum Drawing its name from the contribution of Minneapolis native and philanthropist Frederick R. Weissman, the Weisman Art Museum has become an essential landmark for the University of Minnesota and the city. For the past 70 years, the museum has played host to various works of art and exhibitions that are meant to be a reflection of society, history and culture. Several exhibitions are on display yearly, accompanied by symposia, educational events and symposia. The museum has gathered the work of more than fifty university departments since first opening. 4. Minnesota African American Heritage Museum and Gallery The Minnesota African American Heritage Museum and Gallery is a cultural institution celebrating the experiences and achievements of local African Americans. Ever since it opened in 2018, the museum has been highlighting its mission by promoting exhibits, programs, and events that have been putting the history, culture, and art of African Americans in Minnesota. The museum’s logo is the West African Adinkra, Dwennimmen, a symbol that means “ram’s horns”. It is a metaphor revealing the amazing resilience and humility of African Americans as they navigated the harsh and challenging times of enslavement and discrimination. The museum is free and open to all. 5. Rosalux Gallery One of Minnesota’s longest-running art galleries, the Rosalux Gallery registers over 20 Minnesota artists, who have received international recognition for their artistic expression. The main mission of this art joint is to offer a space that nurtures and supports the work of visual artists while allowing their creative freedom to flourish in order to be presented to the public. Throughout the years, Rosalux has hosted the works of over 80 Minnesota artists, thus supporting their careers and helping the public to gain access to a wide palette of artworks. With the coming of the pandemic, exhibits have been available online too since the summer of 2021, when the gallery was physically re-opened. 6. Katherine E. Nash Gallery Part of the University of Minnesota, the Katherine E. Nash Gallery is a research laboratory dedicated to the promotion of visual arts. It is honoring the legacy of the professor bearing its name, who was a faculty member in the 1960s and 1970s and who proposed the creation of a university art gallery, which materialized in 1979. The Gallery has been an environment where visual arts thrived in relation to culture and community as they take on the human experience. It is a place where students, faculty, staff, and community can seek out educational development in the field of art. 7. Midway Contemporary Art Founded by artists in 2001, Midway Contemporary Art is a non-profit visual arts museum in Minneapolis that focuses on promoting exhibitions, public programs, and a public research library. Exhibitions tend to showcase lesser-known Midwest artists in an effort to preserve and document their work for the public. The Midway library contains a non-circulating collection of thousands of international titles. Reference material, artist books, DVDs, periodicals, and journals are also part of the library’s selection of materials. Both the museum and the gallery are open to the public with no appointments or membership required. 8. The American Swedish Institute The American Swedish Institute is a museum, cultural education center, and a historic mansion all wrapped into one, where the arts explore the migration, identity, and belonging related to Swedish migrants. As it strives to be a cultural center allowing people to connect with their cultural heritage, the American Swedish Institute is also serving the Phillips West neighborhood where it’s located, providing partnerships with the Minneapolis Public School District that feature the arts and cultural-identity curricula as well as after-school programs. 9. The Mill City Museum Nestled on the riverfront, the Mill City Museum is a repository of flour milling machines and more. Through its exhibits, the museum traces the journey of wheat from the fields to the table. You can learn about the impact wheat milled in Minnesota had on worldwide nutrition. That’s because millers at the Washburn Mills brought a milling method that made wheat available to everyone. Take a tour of the Flour Tower, Baking Lab, Water Lab, Observation Deck, or Ruin Courtyard to explore everything that this museum has to offer. The museum is located on the former spot of the Washburn A Mill, the most advanced flour mill in the world at the time of its completion in 1880. 10. Minnesota Museum of American Art The M, as the Minnesota Museum of American Art is dubbed, is one of the most reputable and oldest cultural institutions dedicated to the arts. It started out as the St. Paul School of Fine Arts in 1894. Nowadays, the museum focuses on community partnerships and a co-curation model. It hosts over 5,000 artworks promoting artists from Minnesota. The museum holds contemporary exhibitions that combine the past and the present. Also, the window galleries present art and storytelling to the public, as the M seeks to undergird American identity expressed through art.